Author: Don Wilcock
Don Wilcock
Now into his second half century as the warrior music journalist, Don Wilcock began his career writing “Sounds from The World” in Vietnam, a weekly reader’s digest of pop music news for grunts in the field for the then largest official Army newspaper in the world, The Army Reporter. He’s edited BluesWax, FolkWax, The King Biscuit Times, Elmore Magazine, and also BluesPrint as founder of the Northeast Blues Society. Internationally, he’s written for The Blues Foundation’s Blues Music Awards program, Blues Matters and Blues World. He wrote the definitive Buddy Guy biography 'Damn Right I’ve Got The Blues,' and is currently writing copy for a coffee table book of watercolor paintings of blues artists by Clint Herring.
“Maybe this album is very much a salvation.” An interview with ultimate road warrior Tinsley Ellis about latest album ‘Devil May Care.’
‘Crown,’ out today, follows the pattern of Eric Gales’ previous albums in addressing social issues of a man who doesn’t understand why the color of a man’s skin should preclude how he’s treated.
Mike Zito ignored the naysayers when he formed his record label. And he’s ahead of the curve with his new album ‘Blues for the Southside,’ a 17-cut live extravaganza that will blow your head off and “take you there” as the Staple Singers would say.
What Bob Wolfman does with his mentor isn’t a retreat, but rather an inspiration
More than 60 years after first helping to break the glass ceiling by defining the sultry siren in the all-male rock and roll bastion, Ronnie Spector remained a role model for contemporary artists like the late Amy Winehouse
If we as a society have any sanity left, it will be the arts that see us through
The arts will hold our hands through the darkness. These are the backstories of five artists who provided us with survival soundtracks for the year that never seemed to end.
Keith Richards once told Bill Payne that Little Feat and The Stones were part of an exclusive club both bands belong to. “He pulls me in, and he says we’re all part of the same cloth.”
The variety of styles of all these artists who guest on this album says something significant about Dion’s own eclecticism and underlines his already well established 66-year legacy
Conversations with iconic duo Larry and Teresa are like an open jam where two guitarists vamp off each other, or a first date where a couple clicks and both people know and trust the time together is magic.