Author: Don Wilcock
Don Wilcock
Now into his second half century as the warrior music journalist, Don Wilcock began his career writing “Sounds from The World” in Vietnam, a weekly reader’s digest of pop music news for grunts in the field for the then largest official Army newspaper in the world, The Army Reporter. He’s edited BluesWax, FolkWax, The King Biscuit Times, Elmore Magazine, and also BluesPrint as founder of the Northeast Blues Society. Internationally, he’s written for The Blues Foundation’s Blues Music Awards program, Blues Matters and Blues World. He wrote the definitive Buddy Guy biography 'Damn Right I’ve Got The Blues,' and is currently writing copy for a coffee table book of watercolor paintings of blues artists by Clint Herring.
Remembering Levon Helm on his birthday (May 26, 1940 – April 19, 2012)
‘Rhinestoned’ mixes originals about the Indian Chief Crazy Horse, 1960s civil rights freedom riders from Nashville, and “Nashville Without Rhinestones” that says a lot about who Jason Ringenberg is
Eddie’s material is weird, spacey the way Hendrix was. But he also has a pop sensibility that makes his music engaging to anyone with an open mind.
Weider stepped into Robbie Robertson’s shoes and resurrected The Band with a second coming unmatched in rock by anyone else, with the possible exception of Warren Haynes in the Allman Brothers.
The King Biscuit Festival in Helena, Arkansas has built legacies before your eyes year after year with favorites you’ve come to love! Time to snatch back the soundtrack of our lives (October 6-9)!
Has Daniel once again inadvertently given birth to a new “movement” for a post-pandemic new world? Only time will tell.
“I don’t want separate systems. I don’t want a separate black blues society and a separate white blues society. My father would never have wanted that.”
‘Mississippi Suitcase’ has been nominated for 2021 Blues Music Award for Blues Rock Album! Catch Peter’s American Blues Scene livestream here!
Arielle plays with sound like a painter using all the colors on her palette, at times blending her four-octave voice with the manic youthful energy of instrumental rave-ups that flash back to early Who and Lou Reed on “This Is Our Digital Intervention.”
Blues may be “America’s music,” and Bobby Rush certainly is our best ambassador since the death of B.B. King. Why then is this award never shown on TV?