Author: Don Wilcock
Don Wilcock
Now into his second half century as the warrior music journalist, Don Wilcock began his career writing “Sounds from The World” in Vietnam, a weekly reader’s digest of pop music news for grunts in the field for the then largest official Army newspaper in the world, The Army Reporter. He’s edited BluesWax, FolkWax, The King Biscuit Times, Elmore Magazine, and also BluesPrint as founder of the Northeast Blues Society. Internationally, he’s written for The Blues Foundation’s Blues Music Awards program, Blues Matters and Blues World. He wrote the definitive Buddy Guy biography 'Damn Right I’ve Got The Blues,' and is currently writing copy for a coffee table book of watercolor paintings of blues artists by Clint Herring.
“I just feel that music and song can be so much more than entertainment, and maybe that’s really what it’s supposed to be about.”
Mary Gauthier is a very unique contemporary artist whose music has proven what she says in her performances, her recordings, and placements of her music in the soundtracks of TV shows like ‘Yellowstone’ on Paramount Plus, ABC’s ‘Nashville’, Masterpiece Theatre’s ‘Case Histories,’ Showtime’s ‘Banshee,’ and HBO’s ‘Injustice.’
Shemekia Copeland’s new album ‘Blame It On Eve,’ out now via Alligator Records, sustains a level high enough to which other contemporary blues albums struggle to reach. The list of musicians who sat in is a who’s who of talented headliners in their own right: Americana superstar Alejandro Escovedo, guitarists Luther Dickinson and Charlie Hunter, lap steel master Jerry Douglas, and young sacred steel wizard DaShawn.
“It’s a bucket list thing,” says Curtis Salgado about playing the King Biscuit Blues Festival for the first time this year. He headlines the main stage Friday night, October 11th. Three-time Grammy winner and Saturday night headliner Bobby Rush also will be on stage with me as well as Anson Funderburgh.
About as close as trumpet player Herb Alpert ever came to the blues was signing artists like Joan Armatrading and Quincy Jones to A&M Records, but his role as a renaissance artist, record executive, painter and sculptor could fill a book on how independent artists can make it out of the bush leagues that so many blues artists seem to get stuck in.
Recording with a label like Sun that practically invented rock and roll when they recorded Elvis singing Arthur Big Boy Crudup’s “That’s All Right Now, Mama” is a solid move into blues. “For me, it’s just such a magical highlight. Everything I’ve been through in my career and personal life, I think to decide to take a risk and really kind go back to a love of the blues with some of my new music, to have Sun work with me — I could never have imagined this could happen at this point in my career.”
He last played Albany, New York on March 29th. Six days later he had two heart attacks in one day. He plays the iconic Caffe Lena in Saratoga Springs, NY with fellow NGDB founding member on Friday, August 9.
If catharsis is the fuel that fires the engine of blues, then singer, songwriter and harp player Brandon Santini right now is on the edge of the most intense tour of his career. He opens the tour this Friday at the Linda in Albany, New York following a series of issues that might cause the average artist to simply walk away from performing.
Happy Birthday to the unparalleled Buddy Guy!
John Mayall stood above the British Invasion superstars. The Rolling Stones, Animals, Yardbirds, and Cream may have used blues as inspiration for their rock music, but John stood alone among them. While they had a dotted line connection to the American blues legacies, John had a solid line connection.
Cindy Cashdollar has worked with Rod Stewart, Ryan Adams, Asleep At The Wheel, Albert Lee, Marcia Ball, Rory Block, Jorma Kaukonen, and Leon Redbone – to name a few. She is currently on tour with Sonny Landreth.