Browsing: Interviews

About as close as trumpet player Herb Alpert ever came to the blues was signing artists like Joan Armatrading and Quincy Jones to A&M Records, but his role as a renaissance artist, record executive, painter and sculptor could fill a book on how independent artists can make it out of the bush leagues that so many blues artists seem to get stuck in.

Recording with a label like Sun that practically invented rock and roll when they recorded Elvis singing Arthur Big Boy Crudup’s “That’s All Right Now, Mama” is a solid move into blues. “For me, it’s just such a magical highlight. Everything I’ve been through in my career and personal life, I think to decide to take a risk and really kind go back to a love of the blues with some of my new music, to have Sun work with me — I could never have imagined this could happen at this point in my career.”

If catharsis is the fuel that fires the engine of blues, then singer, songwriter and harp player Brandon Santini right now is on the edge of the most intense tour of his career. He opens the tour this Friday at the Linda in Albany, New York following a series of issues that might cause the average artist to simply walk away from performing. 

John Mayall stood above the British Invasion superstars. The Rolling Stones, Animals, Yardbirds, and Cream may have used blues as inspiration for their rock music, but John stood alone among them. While they had a dotted line connection to the American blues legacies, John had a solid line connection.

Interview with Rory: Having her interpret these songs as a woman who knew Dylan when she was still a tweenager is a unique and fascinating journey into arguably the best songwriter of the last 60 years executed by a woman who is arguably the best acoustic guitarist of either gender. The result, ‘Positively 4th Street,’ is a one plus one equaling two to the nth power, a truly mature expression suitable for the 21st century.