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Aside from the new trio format and the live presentation, what adds exponentially to this experience is the mix. It’s ambient, raw, sparse, and immediate.

In a sea of “self-professed rootsy rebels,” Michelle Malone stands as a beacon. She is the real-deal, and ‘Slings & Arrows’ is her validation.

“I go to the IBC every year, and I look at the talent because I get to see them first-hand. Their desire to excel is what I’m looking for.”

Danielle Nicole’s ‘Cry No More’ was released today, February 23rd, 2018, via the Concord Records label and is available everywhere.

Parcek always does what’s right for the song and isn’t just trying to blow the listener’s mind.

When someone asks who really invented Rock and Roll, you can tell them Roosevelt and Uaroy Graves did it in Hattiesburg during the Great Depression.

If ‘Rough Cut’ from Curtis Salgado and Alan Hager don’t garner every award there is this year, then there is no justice in the world.

Kolassa’s ‘Double Standards’ is a deceptively complex album of compelling takes on great blues songs.

On March 9th, the album ‘The High Cost of Low Living’ hits the streets, marking the return of Moss to traditional, Chicago and jump blues.

Blues great B.B. King listened to Payne on his lunch break when he was picking cotton in the fields as a teenager.