Bloodstains and Teardrops is an excellently produced album from a near-octogenarian cultural and musical icon

‘Rhinestoned’ mixes originals about the Indian Chief Crazy Horse, 1960s civil rights freedom riders from Nashville, and “Nashville Without Rhinestones” that says a lot about who Jason Ringenberg is

“Potts is a stellar six-string strutter who plays with the confidence and maturity of a young man reaching the top of his game through relentless jamming and late night gigs in the clubs and bars of his native Edinburgh.” – American Blues Scene

The band might be called Rosedale Junction but these exceptional musicians are standing high and proud at the crossroads and don’t need to sell their souls to the devil in exchange for innate remarkable talents

Clarence Spady is a soul blues man in the vein of ZZ Hill. His soulful lyrics mesh perfectly with his exquisite guitar work.

“There were many early blues musicians, like Reverend Gary Davis and Son House, who were either preachers, who became bluesmen or bluesmen, who became preachers. For them there wasn’t much of a line between Saturday night and Sunday morning. That’s what my music draws on.” – Reverend Freakchild

Over the past 10 years Holy Moly & The Crackers have increasingly gained popularity as a house-rocking party band playing seriously good music including elements of folk, blues, funk, indie and rock, headlining festivals across Europe.

Ten classic Peter Green compositions played with emotion, integrity and respect by six of Scotland’s most talented blues musicians were a fitting celebration of the life and achievements of the universally revered ‘Green god.’

I was beginning to get the idea that this could easily have been a live album, if it had been recorded by Morrow jamming with Little Feat and ZZ Top at a post Willie Nelson picnic party.

Berry Oakley coined the phrase “Hitting the Note,” meaning everyone’s hitting the right note or on the same page. Well, the Allman Betts Band were Hitting the Note Friday night.

“Peter Green was the only guitarist that ever made me sweat.” – B.B. King

Sarah uses a cappella as a transcendental medium for telling her story and conveying its meaning with dramatic effect, power and grace