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For the 40th year, the Blues Music Awards will present a one-of-a-kind gathering of renowned performers and rising stars who reflect the breadth and variety of talent found in today’s blues music scene.

The Blues Foundation has scheduled a week of live music, workshops, films, exhibits and more for the 35th Annual International Blues Challenge.

The annual Keeping the Blues Alive Awards recognize the writers, disc jockeys, photographers, record labels, blues societies, music clubs, festivals, and others in the blues world that have played vital roles in advancing the art and commerce of blues.

One pursuit that has always beckoned to Jim Allchin, long before his indispensable executive role at Microsoft, is playing the blues.

“The title ‘Prime Blues’ refers to both my love of the blues as well as my love of mathematics,” Allchin says. “‘Prime Blues’ is more concentrated blues than my past albums and at the same time more diverse in terms of style, guitar technique, and guitar tone.”

Join two blues journalism and preservation legends, Roger Stolle and Don Wilcock, as they dedicate this, their eighth annual Call and Response Blues Symposium, to King Biscuit’s beloved patriarch Sunshine Sonny Payne.

The contents of Po’ Monkey’s, one of the last remaining juke joints located just outside of Merigold, Mississippi will be sold at auction.

Sanders played with the heaviest of hitters during his time in Chicago. Besides Howlin’ Wolf, he also accompanied artists that included Jimmy Reed, Hound Dog Taylor, Albert King, Magic Sam, Little Junior Parker, BB King, and Bobby “Blue” Bland, to name just a few.

Nominees, presenters, and performing artists gather to recognize the year’s best. 135 nominees in 26 categories share one thing – their love of blues music.

Paul Thorn calls The Biscuit “one of my favorites” and “a wonderful event.” Carolyn Wonderland says it’s like going to Mecca: “You gotta make the pilgrimage because it’s where the music’s real.”